First, the characteristics of China's major ethnic silver ornaments Silver ornaments play a pivotal role in the costume culture of all ethnic groups in China. Understanding and studying the characteristics of silver ornaments of all ethnic groups in China is also of great significance for us to design and produce modern silver ornaments today. A simple tour of the wearing habits of silver and silver in our main regions or ethnic groups. (1) Characteristics of ethnic minority silver ornaments in Yunnan: The custom of silver ornaments in Yunnan’s ethnic minorities has been in existence for a long time, and some ethnic groups also have their own professional workers. We can see far-reaching cultural meanings and rich regional features from the sculpt patterns. The silver ornaments of ethnic minority women in Yunnan can be divided into headwear, earrings, neck ornaments, shoulder ornaments, arm ornaments, hand ornaments, waist ornaments, etc. Due to the difference in processing level and aesthetic habits, the silver pattern is so famous. A wide variety and unique features. Headwear usually refers to enamel, enamel, hoop, silver on the cap, and head chain. The head of the Yao people is bird-shaped, the headband of the Yi people is strip-shaped, the hat chain of the Hani is ring-shaped, and the head of the aquarium is plant-leaf, which generally plays a role in fixing hair. Earrings are divided into earrings, earrings and deafness. The earrings are only a ring, the earrings are pendants, and the ear blocks are often used in women of the 佤, Deang, and Blang women. They use a cylinder to traverse the earlobe, and the two ends are slightly larger to prevent falling off. The column has a hollow solid part. Long-term hanging tends to gradually increase the ear hole. The neck is decorated with collars, collars and licenses. The collars are generally divided into flat and round tubular shapes, mostly worn by Yao and Yi women. The Hani has a prismatic collar that is more chic and looks like a beautiful eye. The Xiaoliangshan Yi people use a square carved silver medal as a neck buckle to play a finishing touch in the whole set of gorgeous national costumes. The shoulder strap refers to the silver shawl, which is common among Zhuang women. It is made up of a number of carved silver medals in the shape of a fan in the shoulders, which is a precious ornament when the girl marries. The shape of the chest is the most abundant. The simple beaded chain is hung on the buckle. The complex silver medals engraving various animals and flower patterns are used on the chain. The craftsmanship uses hollow reliefs and also directly scribes one. On the silver surface. The main shape of the chest chain is generally a symmetrical combination. The symmetrical patterns are connected by a bead chain, a bell, a coin, etc., and the multiple suffixes are attached below. When worn, the bead chain is just fixed on the buckle, showing Complete shape. Hand ornaments are rings, bracelets and armbands that are commonly used by ethnic minority women in Yunnan. The rings are all ring-shaped, the only difference is the size of the ring or the face of the ring. The shape of the bracelet has a strip shape, a flat shape, a twisted wire shape, a wide tube shape, and the like, and the strip bracelet has a solid hollow portion. The bracelets of the Dai and Hani are mostly plain, while the Mongolian and aquarium are famous for their complicated carving techniques. The shape of the arms is mostly closed and the shape of the bracelet is wide. In Yunnan, only the Meng Gaomian language family, the Brown, the Deang and other ethnic groups have the traditional custom of wearing armbands. Some girls don't take off when they wear it from childhood, and become an arm bracelet after adulthood. (2) Characteristics of Miao silver ornaments Silver ornaments occupy a very prominent position in Miao costumes, especially in women's costumes, silver ornaments are essential accessories. Miao silver ornaments are both varieties. The quantity, style, and craftsmanship are among the best in Chinese national costumes. The most silver-plated species are the first to promote the southeastern region of Guizhou; followed by the Xiangxi area and the western Sichuan. Hey. Less. In the southeastern part of Guizhou, the most popular silver accessories are the one-piece, Shidong-style, Huangping-style, Xijiang-style and Dayang-style clothing. Take the case of the leather as an example; women's body silver ornaments weigh about 300 or so. Shidong style, women have more than 30 pieces of silver ornaments from head to toe. Miao costumes not only have many varieties, but also have different styles in different places like clothing. Especially the Miao silver headwear is even more unique. Silver cap The silver cap is one of the indispensable silver ornaments of the Miao branch leather and the yellow flat. Hunan Xiangxi-type phoenix pine peach type also has a silver cap, but it is not universal. Only a few rich people have to be necessary. Generally, they are only worn in major ceremonies such as "Solitaire", so it is also called "the dragon cap". The yellow flat silver cap consists of a three-layer structure. The inner layer is called a hat nest. It is framed by thick silver wire or iron wire and bamboo strips according to the size of the head. The diameter is generally about 24 cm. The second layer is called the leaf layer. The square silver leaf is shaped like a blossoming thunder pattern or pattern. The silver wire spring is connected with the cap hole; the third layer is a flower layer; the spring handle is made of fine silver wire, and more than one hundred bitter cauliflower and silver leaf flower made of silver foil are connected with the leaf layer; The handle is about 3 to 4 cm long, and the silver flower is densely covered on the outer layer of the cap, like the corolla worn by the ancient palace. The center of the crown is made of silver sheet with a tooth-shaped piece that looks like a bird cage. It is 16 cm high. It is shaped like a phoenix crown, a line of lines or a swirl pattern. In the middle window, there is a silver phoenix bird with a god. If there are two or four small silver birds with different shapes on both sides of the phoenix bird. On the front of the crown, three silver medals of different lengths are hung from top to bottom. The silver medal above is long, and the two eyebrows are suitable; the pattern on the silver medal is the double phoenix sun; some are a round mirror embedded in the middle of the two birds; the second silver medal is slightly longer to two; the pattern on the silver medal is the double dragon play beads or Flowers and bird patterns; the third silver medal is the longest, and is connected to the tail band behind the phoenix crown after both ears. The pattern on the silver medal is a circle flower. The three silver medals are about the same width, about one inch five. Each silver medal is embellished with a small silver horn or silver horn, which will make a pleasant sound as the head rotates. After the silver crown, there are three layers of crown-tailed silver belts, which are shaped like phoenix tails; the outer layer of crown-tailed silver has eight pieces, which can cover the middle of the wire frame in the silver crown with twelve pieces of silver at the end of the crown, hanging length or Extend to the shoulders to cover the neck; the innermost layer of the crown silver has five pieces, and the length can be extended to the waist. The three-layered crests are arranged along the posterior edge of the crown to form a phoenix tail; each piece of silver belt is engraved with three "shou" shaped lines of similar distance to show longevity and wealth. The net weight of the silver cap is less than one kilogram. The crown cap is basically similar to the yellow flat silver cap structure, except that the flower shape is a fine rhododendron; the brim is decorated with a carved horse silver piece, and the top of the cap is inserted with a silver horn. Silver crown The Kerry Miao costumes are also dominated by silver ornaments. The silver crown of Shidong is a silver horn inserted directly on the high hair. The horns are made of thin silver sheets and have a double-angled shape. The two corners are carved with a dragon, and the head is turned downwards; the tail is sharply pointed up, and the middle is a treasure bead. There are fifteen pieces of silver and one finger wide between the two corners, arranged in a radial arrangement, like the light of the pearl. The silver horn is the largest of the silver, up to 0.8 meters high, up to 1 meter wide and weighs about 1 kilogram. Usually installed on the hat and used with other silver and silver medals. "Qingping County South" has the record of "pull high, insert silver angle". The bun is wrapped with a silver chain, with a silver horn comb, and a row of small silver leaf and silver melon cards. The brain and the hindbrain are each stretched with a prismatic piece; the silver piece is engraved with butterflies, dragons, and flowers. Grass and so on. Silver earrings and silver collars are also essential accessories. When the girl is married, all the silver ornaments are for her life, and the husband has no right to deal with it. The silver crown in the reverse row is also known as “Yinshengâ€; the shape is very chic. It is made up of about 5 pieces of silver pieces with a width of 3 cm and a length of 50 cm. The center is an arched relief pattern with jagged edges at the edges. The middle is the pattern of two dragons or two pairs of phoenixes. The left end of the five pieces of silver is cone-shaped, and the right end is connected by a thin silver strip of S shape. When worn, the five-color silk ribbon is worn, and the silver crown is inserted into the front of the fashion. The silver crown of the Jianhe long-term area is basically the same, except that the central relief pattern is a circular cluster flower shape, and the lower edge is two short hook-shaped patterns. The Danjiang style silver crown is shaped like a magpie. In the phoenix habitat, a crossbar is made of fine silver bars, and the five-column leaflet azalea-shaped silver flower is made of silver wire at both ends and the center, and the three pillars in the middle stand for three wings. The phoenix bird with a silver bead chain. Feng Wu dragged the long feather tail and put it on the bun. The silver crown of the Dusi Wangsi area is a phoenix that spreads its wings; the phoenix mouth contains silver chain beads, the feather edge also hangs the silver chain beads, the phoenix back and the wing feathers are adorned with silver flowers; the dress is inserted in the silver chain On the hairpin. The Taijiang Miao women dressed up in front of the high-combed hairpin, inserting a horizontal phoenix silver crown, and the silver crown was divided by five treaties. Thin silver sheets of about forty centimeters long are arranged, and the right end is welded to two rows of connected silver rings; a number of colored piles are hung on the ring, or they are wound around the raft, or let it float with the wind. The phoenix crown is welded with half round silver pieces in the middle, and its embossed pattern is like a sun that is flourishing; the semi-circular embossed "two dragons grab the treasure", the image is realistic; two rows of silver trees are inserted in the back and the top, and five rows are standing on the upper row. The silver tit, the shape is beautiful and beautiful, lifelike, with a silver flower and grass, swearing to the right side of the silver plaque. Silver flowers; earrings and pressure collars. According to legend, there is a young man; one day in the mountains, a beautiful golden pheasant was handed over to the mother, and the mother dressed up as a pheasant to dress up her daughter. The tall hair is like a cockscomb, the beautiful sleeves are like chicken wings; the pleated long skirt It looks like chicken feathers. Since then, this dress has been handed down and formed a Taijiang women's dress. When the Taijiang men dressed up, they were wrapped around a three-foot-long, five-inch-wide cyan headscarf, flattened into a round shape; like a 1.5-inch-thick cloth cap, the left and right ear corners were wrapped into "people." The glyph, the right ear hood under the armpit left a few puddings, the left æª headband obliquely inserted a bunch of silver flowers. The Miao costumes are beautiful and elegant. The colors are mostly red, yellow, purple and other warm colors, red symbolizes victory and joy, and yellow represents luxury. The Miao nationality is full of splendour; it shows the beauty of being rich; the aesthetics of being luxurious is beautiful. Silver horn combs and silver horns are symbols of the Miao totem. Silver hoop Silver hoops are also one of the main headwear in the southeastern part of the country. The silver hoops in Datang and Danjiang are the largest. Some articles call it the Silver Helmet. The big pond type silver hoop is composed of four layers of patterns; the lowermost layer is a silver hanging flower with a filament hanging and a tapered silver pendant, which forms a tassel to the eyebrow when worn. The second layer is a embossed person riding a horse map; the center of the third layer is a circular squid taiji relief picture, the two sides of the taiji are two layers of patterns, the next is the dragon, the upper is the fish, all are embossed; the top is Lobular rhododendron shaped silver flower. When the time is hung on the head, tie the brocade belt and put the brocade belt behind the head. Danjiang's silver hoop has a delicate shape. The shape of the hole is more light; the skeleton is made up of a silver plate with a width of about 5 cm, and the glass mirror with a diameter of 1 cm is placed in the center; the embossed pattern of the sun symbolizing the flame pattern is surrounded by a row of people. On the top of the horse, there is a circular silver flower connected by a silver spring. The edge of the silver flower is a zigzag petal. The far vision is like a willow forest. To the eyebrows is like a tassel. Danxi's silver hoop is more elegant, mostly in the middle width. The two ends are narrow as a fusiform silver piece, and the center is a 2 cm diameter sun pattern; the time is exactly the same as the silver angle on the top of the head. The ends of the sun pattern are engraved with nipples and flowers and birds. Silver horn Yinjiao is one of the main silver ornaments in the heads of the Xijiang-style and Ya-ash-style costumes of the Miao branch. The Xijiang style is to process the silver piece into the shape of a buffalo horn; the two corners are bent into a semi-circular shape, and the two sides are connected to the center with a circular embossed sun pattern or a group of flowers. The angle is 70 cm high and the corners are decorated with white chicken feathers. 3. The silver pattern is inserted into the sun pattern and is fan-shaped. Symbolizes the rising sun; radiant. The silver-white horns of the "white-collar seedlings" in Dansai and Sandu are two symmetrical small silver horns, and there is a silver piece in the center which is slightly tall like a vase; it is in the shape of a "mountain" and is fixed in a piece of 20 cm long. The middle is wide. Two narrow, shuttle-like silver pieces. The center of the two corners is a circular copper drum surface pattern. The two sides of the figure are extended by about 5 cm to the tip of the corner; the corner of the corner can be seen as a knife edge to divide the corner into two halves, as if the two diagonals overlap. When wearing, the shuttle-shaped silver piece is nailed to the baotou flower belt, wrapped on the forehead, and fastened to the back. Silver comb, silver enamel Miao silver comb is chic; mostly crescent-shaped, size. thickness. The width is different. It is generally covered with silver and covered with birds, phoenix and fish. It is an essential decoration and practical product for Miao women. The area of ​​Danqing Kongqing is crescent-shaped, about 2 cm thick, with different patterns on both sides, and three layers of silver chain hanging on the combed ridge. One layer is a flying silver bird, the second layer is a silver leaf, and the third layer is a small silver bell. The silver combs in the Leishan Datang and Taojiang areas are semi-circular, wrapped in silver skin, set with two dragon play beads, silver bouquets on the faucet, uneven, two running deer in the filigree, and two comb angles with silver chains Silver needles are connected. Pei time plugged in. The silver enamel is more colorful; it has a variety of shapes; it has a conical shape and a square bar shape. It is flat and straight, and it is straight and curved. The finest of them is the waist-shaped silver enamel in the Shidong area and the exquisite faucet silver enamel. The inner layer of the waist-shaped silver plaque is a piece of waist-shaped silver piece, hence the name; the two sides are each connected by a silver wire, and there are double phoenixes. Butterfly and silver pendant. The top is a dragon wrapped in silver. There is a long cone in the bottom recess, which is inserted into the bun. The faucet silver enamel is more chic, mostly conical, like chopsticks; the whole shape is a dragon. The exquisite carving is very attractive. Ya Gray. The silver tube in the eight-open area is welded with silver pieces and welded. The ends are one wide and one pointed, and the wide end is also suspended with silver flowers. In the Moon Mountain area, there is also a pyramid silver enamel with a screw round at one end. Silver earrings Tremella is widely worn in the Miao area. Men in some areas also wear silver earrings. The type is paired. Suspended. Lantern style. Double shape and so on. There are also single ring, faucet ring, double ring, garland and other varieties. Taijiang and Shidongxi wear a silver-eared column, which is cylindrical; when worn, the ears are pulled long; there is a sense of hanging shoulders. Jianhe has a unique earring that bends the silver bar of a brush like a brush into an arc. One end is curled like a fern tip and hung on the ear. The arc ridge is set with 5 to 7 brilliant white beads, like a petal. And like a tooth. The women's earrings in the staff of the Fengfeng area are more sturdy. They are rings with a diameter of 3 cm. They are hung on the sides of the ears and hung on the headscarf. There are silver blades under the two rings. Silver flower ornaments, etc. (3) Characteristics of Tibetan silver ornaments "Tibetan silver" is almost a special term that is circulated in China's silver jewelry market and has a large market share. There are many kinds of Tibetan silver ornaments. Silver jewelry and related accessories are an important part of Tibetan religious beliefs and living habits. The common sun and moon type of accessories is also called "Luo Lier", which symbolizes the sun and the moon. The silver jewelry symbolizing the sun is 9 cm in diameter, and the length of the silver symbolizing the crescent is 11 cm. When worn, hang on the left side of women's clothes. The anchor-like ornament is called "Xiao Sang" (Tibetan called "School"), which was originally used by women for milking, and later became a pure jewelry. There is also a peach-shaped silver jewelry called "çžæ¾", worn on the waist, the ornamentation on it is complicated, the inlaid coral beads, the lower part is the weird animal face pattern, the whole piece of jewelry, the thick and colorful, gorgeous and simple . Tibetan women love to wear a necklace of coral beads, which complements the turquoise and complement each other. The silver box under it is called "呷乌", which is a treasure box for Tibetans to place Buddhism and amulets. The Tibetan women’s headwear is colorful, or the beads are full of heads, or they are smashed into the waterfall, dazzling and stunned. The most famous and most spectacular hair accessories for Tibetan women are the hair set "Garonne" and the silver shield decoration on it. These silver shields are as large as bowls, and one hair set weighs five or six pounds or even ten kilograms. The number of silver ornaments is more than 30. Second, the unique cultural connotation of Chinese national silver ornaments Behind any aesthetic form, there must be historical, social, and religious connotations. In addition to its high artistic value and practical value, China's national silver jewelry also implies the meaning of “good luck†and “blessing for blessingâ€. In addition to the decorative function, the silver jewelry as an embodiment of the social function of the mascot is an important reason that has been passed down through the national life in China for thousands of years. With the passage of time and the accumulation of culture, some silver patterns have gradually been given specific meanings. They are fixed in the group consciousness of various nationalities in China, and they are more modeled and symbolized in the process of mutual learning and dissemination, expounding human pray for happiness. Eternal theme. Fish, butterflies, and pomegranates cover the meaning of reproduction, multi-child, group, and prosperity in traditional folk customs. From here we can find the reasons why these patterns are widely used in silver. Dragon pattern The dragon is the fictional animal of the Chinese nation with its own ideals. It is the embodiment of God, representing the kingship and majesty. It is used in all the jewelry designs that can be used. Dragon and Phoenix were once the totem symbol of the Chinese nation, but in the eyes of our nation. It does not represent the kingship and majesty, but the auspicious embodiment of the gods. The silver blister of Jingpo women, the legend is that the dragon girl professor made, dressed up as a dragon of the same kind, not only can reduce evil demon, but also seek the wind and rain, to protect the peace and prosperity. On the Tibetan knives and earrings, the image of the dragon is vivid, and it is also loved and admired for the dragon. Phoenix play peony pattern Both phoenix and peony are the auspicious things in people's minds. The two are united and take their rich and happy meanings. The pattern of the phoenix has the phoenix-like head of the Yao nationality and the phoenix peony bracelet of the Zhuang nationality. The head of the crested phoenix day contains the ruby ​​beads and the jade chain hangs down. The phoenix tail is inserted into the hairpin. Its elegant posture and posture make the Yao people’s admiration for the phoenix vividly. The phoenix opera peony has a wider influence in the Han culture, taking its rich and festive meaning. In Yunnan folk customs, silver coins are often seen as auspicious things to wear. The Hani people's chest chain is often used for the silver coins in the Guangxu period and the Republic of China. The Yi people's hanging chains are mostly imitations of these two kinds of silver coins. The Yao people used to decorate the Vietnamese silver dollar, which is engraved with a statue of a goddess. These silver coins have exercised the function of money in a certain historical period. Although they are only preserved as a form of ornament, they at least represent a measure of wealth, which brings a psychological comfort to the people who pursue wealth. To the role of warding evils and disasters. Compared with the ethnic group that only makes the auspicious ornamentation a silver decoration, the Tibetan silver hanging box plays the role of a pure amulet. The hanging box is divided into two parts, the bottom of the cover is engraved with the pattern of the French wheel; the outer part is engraved with a roll of grass and six square frames; the box is filled with Buddha statues, auspicious characters and scriptures. Hang on your chest or waist. The grass pattern and the French wheel pattern are the auspicious patterns in Buddhism. The devout Tibetans believe that as long as the Buddha statue is in the body, there must be a god to bless the peace and good luck. The Tibetan silver body guards contain rich religious content and are essential for going out. The role of auspicious amulets is also reflected in the children’s silver ornaments of Yunnan minority nationalities. "Hundreds of locks" are almost the tokens that every nation gives to newborns. Their appearances are generally not very different. Some directly make small locks to hang their chests, and some only hang a piece of wishful cards. The silver lock of the Hani children is also engraved with the words "Golden Jade Lock". The Yao children’s wishful engravings are “longevity and life-savingâ€, and the Yi children’s hundred-bag locks are “Fu Lu Shou Xiâ€. There is also a kind of small handcuffs with the same name as the lock. The bells are also engraved with the words of Geely, which are common in the Zhuang and Dai people. Hundreds of locks have almost become the traditional children's bodyguards of all ethnic groups. The common explanation is to lock up the disease, exorcise the ghosts and eliminate the disasters, to protect the longevity and the prosperity. The lion and unicorn have established a good artistic image in the Han culture, taking its auspicious, courageous, authoritative meaning and evading evil. Although the two patterns are rarely used in other minority costumes, there are kiln-encrusted fish and lion-butterfly characters in the Dai silver chain. It can be seen that people’s cultural identity with the mascot is not There are special national boundaries. Double lion pattern The majesty of the lion is the protector of the law. The lion rolling hydrangea is also considered a symbol of joy. The origin and development of human body decorations may initially originate from the aesthetic instinct and the need for courtship, and then expand into a symbol of wealth status, in order to highlight itself and become a way of expressing self. However, it is undeniable that the auspicious wish is always the theme of the existence of silver jewelry in all ethnic groups in China. The blessing and blessing of human beings for their own lives will not change with the development of the times. When the nationalities wear auspicious patterns of silver, the silver ornaments are regarded as the auspicious incarnation, and they will achieve all their good wishes. The combination of auspicious content and aesthetic form blends the subtle relationship between silver and human, which makes people feel the happy future predicted by the silver mascot in the pleasure of watching and playing. As mentioned above, China's national silver jewelry style not only has a form of beauty in the patterns and themes, but also plays a role that they can't ignore in daily life, and displays extremely rich social content. From the perspective of cultural anthropology, it reflects the folk customs, aesthetic tastes, and ways of thinking of Yunnan ethnic minorities in different historical periods. They look at their emotional experiences and psychological characteristics, and explore the national material culture and spiritual culture for us. Modern ethnic silver design brings some new enlightenment. Third, China's modern silver jewelry design can not be separated from the foundation of local national culture The three-dimensional structure of national culture consists of three levels, namely: Outer layer - object (specific jewelry) Middle layer - heart and material combination (wearing form and habit) Core layer - heart (national psychology and aesthetic trends) These three levels are related to each other and form a system that constitutes the organism of national culture. "The material layer of culture is the most active factor. It is not changing and convenient. The theory and system are the most authoritative factors. It stipulates the nature of culture as a whole; the psychological level is the most conservative, and culture is the soul of the type." Implemented into the jewelry culture, we can think that the specific jewelry is the outer layer, the wearing form and the wearing habit are the middle layer, and the core layer is the inner national psychology and national culture that influence the jewelry style and wearing the form habit. According to the dissipative structure theory of modern culture, the process of the existence and change of the cultural system is open and has its own dissipative structure. It constantly exchanges material, energy and information with other cultural systems. The ground absorbs new cultural traits and constantly dissipates old cultural traits. It is this kind of vomiting that is new, culture is constantly developing, and maintains a special orderly and stable structure, which provides conditions for its further development. When two different cultural systems are engaged in dissipative communication, the first is the level of external objects, followed by the middle layer of theory and system, and finally the core layer of psychology. If a cultural system is closed, it is likely to decline. The decline of many ancient civilizations seems to be interfered by external forces that cannot be resisted. In fact, the real reason lies in the closure of its own cultural system. Jewelry design belongs to the culture of creation. It belongs to the era, economic and cultural background and ideological and philosophical foundation. It develops China's modern jewelry design and cannot be separated from the organic system of Chinese culture to create a castle without foundation. Death and tradition, forming a closed cultural layer, can not exchange energy and information with the heterogeneous culture of the outside world, and ultimately lead to the decline of civilization. But blindly westernized, lost the cultural foundation supported by it, the cultural system lost an orderly balance, putting people in a completely strange environment, and ultimately leading to the collapse of national culture and even the body. However, the design culture also shows a positive side. On the one hand, it has helped the social economy and the natural environment to regulate people's thoughts and behaviors, form an established tradition, and curb the development and replacement of design culture; Design culture has certain actionable functions, and the purposeful “second nature†transformation can change some people's consciousness and traditional concepts, promote the creation culture (the level of things) and even the deeper culture of the nation (the combination of mind and matter) The development of the heart level). This is the positive significance of craft creation and modern design in the entire national culture. China's modern jewellery design is part of Chinese national culture. It cuts the connection with the middle layer and the core layer. The dissipation of cultural traits is not a mechanical division and combination. It must interact with the entire cultural system. Therefore, China's modern jewelry design It is not a replica of Western modern jewellery design, not a "old bottled new wine." It is not a simple patchwork of "China's decorative ten western structure." It is in an inseparable material culture layer of the national culture as a whole, and it is a high-grade one. The Chinese cultural connotation, in line with the new style of the world design trend, is the product of the integration of Chinese and Western design (creation) culture. Human culture is created by the accumulation of labor in various countries in the long history. Jewelry culture is a product of a certain social and historical stage. The reason why various national cultures can exist is because they have relative cultural value, and the culture of each nation has no difference between "backward" and "progressive" in value. However, culture is constantly evolving after all, and jewelry culture will develop and mutate with the progress of the times. People study the national jewelry culture, the purpose is to take its essence, to its dross, to make it available to today's and future societies, and to contribute to human civilization. This is also the practical significance of our national cultural characteristics that promote silver jewelry design. Towels ,bathtowels And Beachtowels JINAN DASHUN TEXTILE &GARMENTS CO.LTD. , https://www.dashuntex.com.jpg)
National Cultural Connotation of Silver Design